Summer 2018
DOI: 10.3898/NEWF:93.REV01.2017; DOI: 10.3898/NEWF:93.REV02.2017; DOI: 10.3898/NEWF:93.REV03.2017; DOI: 10.3898/NEWF:93.REV04.2017; DOI: 10.3898/NEWF:93.REV05.2017

The end of the world for whom?

Nicholas Beuret reviews Richard Grusin, ed., Anthropocene Feminism, Minneapolis, University of Minnesota Press, 2017, 233pp, US$28 paperback.

From illumination to irritation

Peter Buse reviews Kate Flint, Flash!: Photography, Writing, and Surprising Illumination, Oxford, OUP, 2017.

A post-employment utopia? 

Mihail Evans reviews Bernard Stiegler, Automatic Society 1: The Future of Work, Cambridge, Polity, 2016; Rutger Bregman, Utopia for Realists, Boston, Little, Brown and Company, 2017;  Peter Fleming, The Mythology of Work, London, Pluto, 2015. 

Macrobial Cultures

Joseph Darlington reviews Carsten Strathausen, Bioaesthetics: Making Sense of Life in Science and the Arts, Minneapolis, University of Minnesota Press, 2017.


Ida Djursaa reviews Brenna Bhandar and Jonathan Goldberg-Hiller (eds.), Plastic Materialities: Politics, Legality, and Metamorphosis in the Work of Catherine Malabou, Durham and London, Duke University Press, 2015, 339pp; £29.99, paperback.